Performances Wednesday to Sunday - March 29th to April 9th
Festival atmosphere with doors open from 4pm for Tunes + Social with yummy dumplings and a selection of drinks. Plus from 6pm enjoy the Jameson Jam Lounge & Rooftop Garden Exhibition + Tunes.
Plays start 7.30pm | Each play 25 - 30mins | 3 plays each night | Group A and Group B alternating.
'Don't Tell Indi' by Sarah Doyle- NSW
Indi returns home from a court-ordered stint in a psych ward to meet her twin brother's new partner. Secrets and lies are brought to the surface with dire consequences.
'The Last Tiger' By Christine Davey- VIC
This play is about identity - large, small and middling.
A man hunts a Thylacine. A woman hunts a killer. A daughter hunts for freedom without the constraints of family responsibility.
Ostensibly about the search for the possibly-not-long-gone Tasmanian Tiger, the play examines national, cultural, gender, familial and secular identity. Our characters are searching for answers about death, vulnerability and belonging. Parallel to this, however, is the search for answers closer to home - what does it mean to love? To forgive? To die? Three characters weave through the space, their own stories, and the journey towards redemption in this quick-fire theatrical exploration. They dive in and out of memory, in and out of real time, in and out of each other's complicated lives.
'The Becoming' by Katie Pollock- NSW
Greta Samsa awakes from uneasy dreams to find herself changed. No more the self-centered emotional vacuum, she's decided to change the world, starting with her family. The only trouble is her brother Gregor is refusing to emerge from his room and Mum and Dad are busy jumping off entrepreneurial cliffs. When Gregor's boss arrives, claiming Gregor has stolen money from the company, things take a surreal turn. But when her brother finally decides to show his face, Greta discovers the world has radically transformed around her and she now holds the future of her family in her hands.
'Head Case' by Zachary Sheridan- SA
Mental health, the Mall's Balls, and Teddy Ruxpin, Head Case is about a brother and sister under pressure. Hayden and Holly live with their hoarder mother, Mary, who over the past few decades has accumulated a stash that rivals the Great Pacific patch. For a long time the family's modus operandi has been to defer everything, but it all comes to a head when it is obvious Mary is unwell.
'Entangled' by Diane Stubbings- VIC
Ralph is a politician trying to salvage his reputation. Lou, his partner, isn't so sure his reputation's worth saving. One of three interwoven scenarios, Entangled, explores ideas of
complicity and causality, and asks whether seemingly random events are predetermined by the patterns laid down in history.
'Safekeeping' Steven McCall- NSW
Amala is on the run. When Maggie and Robert stumble across her hiding in their farm shed, they have two options - turn her in, or keep her. Their decision will inalterably change their lives forever. Safekeeping is a tale of legacy - of how the actions of today truly impact on how we explain and legitimise them tomorrow.
The New Plot: Bringing new Australian stories to the stage by developing the talent that makes them possible.
107 Projects and Actors Centre Australia (ACA) launch The New Plot, a new development award for Australian Playwrights. This initiative has been created to foster professional development for writers and actors to bring new Australian stories to the stage. The New Plot is a feature of 107 Presents 2017 season and will culminate in performances in March 2017.
Launched in September 2016 by Project Ambassador and Emmy Award winner Gale Edwards, the top 6 shortlisted scripts have now been selected by the expert panel including Dean Carey, Philip Quast and Stephen Sewell.
ACA and 107 have now also engaged 2 Directors, Adam Cook and Troy Harrison, to work with a newly formed company of actors to bring these new stories from the page to the stage. Actors are currently being considered and we look forward to announcing the new members of the company in the coming weeks.
The New Plot seeks to discover:
- Brave risk taking work
- The unexpected and unconventional
- Rich engaging text that does not require the bells and whistles of large production resources to inspire and engage
- A story that represents the diversity of Australia
It's the words on the page that leads us to our unique communication from our little wooden stage to the hearts and minds of strangers who through the act of sharing the experience of the play become our friends our fellow journeymen on the path to understanding our humanity.
Gale Edwards, The New Plot Ambassador, The New Plot Launch night 26.09.2016
NEW! People's Choice Award
A People's Choice Awards across all nights announced! The People's Choice Award for favourite Play will receive $1,000 cash and the People's Choice Award for favourite actor will receive $1,000 worth of rehearsal or performance space at 107. So come on down and get involved!
To stay in the loop to receive exciting updates on The New Plot, please email firstname.lastname@example.org and we will happily add you to our mailing list.
107 Projects is an independent cultural organisation whose mission is to encourage people and communities to live creatively. Located in the heart of Redfern, we inspire collaboration between the arts and the wider community through creative, cultural, social and educational initiatives. We promote, present and produce a broad range of arts and community cultural development activities that supports artistic experimentation and improves the health and wellbeing of our community. As a not-for-profit we depend on generosity and involvement of supporters and our community to thrive.
The organisation is a hub of connection, a generator of ideas and initiatives, a place to come to study, to grow, to learn and to extend oneself in every way possible. Artistic education and development requires a highly specialised and specific environment in which to flourish. Our commitment to this has never faltered. In 2014 ACA took up residency in a purpose-built state of the art performance facility in Leichhardt. All the spirit and magic of ACA moved to an entire new level a this exceptional performance precinct. Since 1987 ACA has pursued its vision and continues to expand and integrated all that's necessary to maintain a performing arts centre offering excellence in creative education.
107 and ACA were brought together as partners in this venture by Barry Fitzgibbon of Silver Fox, who had the vision to bring the idea alive and who is a significant contributor to the costs of the venture.
The winning playwright will receive:
- $10,000 cash
- One-on-one time with the panel members to learn from the skills of Industry leaders
- The script produced into a production with a cast of ACA actors directed by a professional Director
- Professional cinematic audio production of the play by AFTRS for radio and online broadcast.
- 4 week artists residency at The Bundanon Trust to develop the script into a full length play.
- The winning script will be featured in 107 Presents 2018 Program with a full 3 week season + rehearsal time and development space. Featuring an industry night.
Gale Edwards is an Australian theatre director, who has worked extensively throughout Australia and internationally. She has also directed for television and film. She began her career at Adelaide youth theatre company - Energy Connection.
From 1986 to 1989 she was Associate Director of the State Theatre Company of South Australia; has been an Artistic Director of the Melbourne Theatre Company and has worked with every other major Australian theatre company, including the Sydney Theatre Company and Opera Australia. Internationally, Edwards directed the 1996 London revival of Jesus Christ Superstar, which opened on Broadway in 2000, and for which she won an Emmy Award for the televised recording of the production.
Edwards contributed to the book of the musical Whistle Down the Wind, for which she directed the West End production. Edwards has also directed for the Royal Shakespeare Company and Shakespeare Theatre Company (Washington D.C.). She directed the premiere production of The Boy from Oz. Edwards has been the recipient of three Sydney Critics Circle Awards, four Green Room Awards, two Mo Awards, an Emmy, two Helpmann Awards, a Sydney Critics Award as well as receiving two nominations for Helen Hayes Awards and a 2000 Centenary Medal for 'Service to Australian Society'. Edwards won a Green Room Award for Direction in a Musical, for her 2012 Melbourne production of Chess. It is one of twelve nominations The Production Company received for Chess, of which they won seven.
The Panel of Industry Experts
This initiative has attracted high profile and experienced professionals, leaders on the national and international stage.
Dean is the Creative and Founding Director of Actors Centre Australia (ACA). He is the author of 4 acting books, his latest, The Acting Edge, was launched by Hugh Jackman in 2012. His Acting Edge online program and App are now available worldwide.
Dean has taught acting for over three decades in many countries, including the U.S., the U.K., Russia, France, Brazil, Singapore, New Zealand and Australia-wide. He has been Head of Acting at WAAPA (Western Australian Academy of Performing Arts) as well as NIDA (The National Institute of Dramatic Art).
Dean works as a performance consultant on TV and film projects, including the Australian productions of The Boy From Oz and Saturday Night Fever. Dean teaches in the corporate arena, is guest speaker at seminars and functions as well as conceiving and directing corporate launches and theatrical events across Sydney.
Actor & Singer
Philip Mark Quast is an Australian actor and singer who has won the Laurence Olivier Award three times, for Best Actor in a Musical; more than any other actor to date. He is perhaps best known for his role as Inspector Javert in the stage musical, Les Misérables as well as Les Misérables: The Dream Cast in Concert.
Philip is also well known for numerous theatre roles, including Georges Seurat in Stephen Sondheim's Sunday in the Park with George and Emile de Becque in Rodgers and Hammerstein's South Pacific. Phillip is also known for appearances in film and for his roles in television shows, such as Ultraviolet, Brides of Christ and Play School.
Stephen Sewell is one of the most celebrated writers in Australia today. Well known for both film and theatre work. Stephen's work includes his AFI award- winning script The Boys and plays such as The Blind Giant is Dancing, The Secret Death of Salvador Dali and Myth, Propaganda and Disaster in Nazi Germany and Contemporary America.
Three Furies, which Stephen wrote for director Jim Sharman, premiered to enormous acclaim at the 2005 Sydney Festival, before transferring in 2006 to successful seasons for the Adelaide, Perth and Auckland Arts Festivals. Myth, Propaganda and Disaster has garnered more awards than any play in Australian theatrical history, including the 2004 Green Room Award, both the New South Wales and Victorian Premier's Literary Awards 2004 and the 2004 AWGIE for Stage Play.
Internationally, Myth received its London premiere at the Orange Tree Theatre in 2004 to rave reviews; has had a sell-out production in Germany in 2005 and a production for Scandinavia in 2005-2006. Stephen's play It Just Stopped - a comedy set at the end of the world and directed by Neil Armfield - premiered to sell out houses at Company B Belvoir in Sydney and Malthouse Theatre in Melbourne in 2006. In 2007 Stephen's play The Gates of Egypt was another box office success for Company B Belvoir. Stephen has a number of feature film projects in development, including a cinema version of It Just Stopped. Stephen was appointed Head of Writing for Performance at NIDA in January 2013.
We are very excited to announce our Directors for The New Plot, Adam Cook and Troy Harrison!
Adam has directed over 120 productions across Australia, London, Canada and the United States. He has worked for the Sydney, Adelaide, Melbourne and Brisbane Festivals, Melbourne Theatre Company, Sydney Theatre Company, Ensemble, Sydney Opera House Trust, NIDA, Queensland Performing Arts Centre, La Boite, Q Theatre, Sydney Gay and Lesbian Mardi Gras, Opera Australia, Griffin, Bell Shakespeare, Sport for Jove, OzOpera, Playbox, Festival of the Dreaming, Windmill Performing Arts, Edinburgh Fringe Festival, City of London Festival, the Barbican International Theatre Event (BITE) and Belvoir.
Adam was Artistic Director of the State Theatre Company of South Australia from 2005-2012, the longest tenure in the company's 40-year history. Most recently Adam directed Much Ado About Nothing for Sport for Jove, as well as the highly acclaimed Workhorse Theatre Company production of The Motherf*cker with the Hat.
Troy was a co-producer and played the lead role of Jackie in The Motherf**ker with the Hat
(Workhorse Theatre Company/Darlinghurst Theatre) which was nominated for best
independent production at the Sydney Theatre Awards. His other theatre credits include
Savages (Darlinghurst Theatre Company, Best Ensemble nomination Sydney Theatre
Awards) Savage in Limbo, That Pretty Pretty; or: The Rape Play (Workhorse Theatre
Company) and The Burlesque Effect (Tunks Productions)
Troy toured Australia, NZ and parts of Asia with the musical theatre productions Saturday
Night Fever (playing the role of Double J), Pricilla Queen of the Desert, Happy Days, The
Boy from Oz, Monty Pythons Spamalot and was one of 4 chosen to tour Australia and NZ
with Australian icon Barry Humphries is his production Dame Edna Back with a
Troy's film and TV credits include East West 101, Cops LAC, The Carousel, The
Quarantine Hauntings and Baz Luhrmann's Moulin Rouge and is the co-creator and artistic director of Workhorse Theatre Company.
Troy studied with Lynette Sheldon and was invited to be a participant in the first Australian
workshop of world renowned acting coach Larry Moss.
For the past 2 years Troy has taught acting technique, script analysis and has directed
scene work and productions for the Actors Centre Australia advanced diploma acting
course and the International Screen Academy
We have a stellar cast made up of a company of 8 graduate actors from Actors Centre Australia, who will be bringing to life our 6 finalist scripts. We are very excited to introduce...
ALEXANDER JAMES SPINKS
Hailing from the Hunter Valley, Alexander moved to Sydney in 2013. By year's end he was cast in the Old Fitz's Shakespeare double bill of King Lear and Measure for Measure (dir. Richard Hilliar) as Oswald and Claudio, respectively. The immensely talented cast of those productions fostered Alexander's quick growth in the unfamiliar climbs of Sydney which led to his successful audition at Actors Centre Australia where he graduated in 2016. As a writer-director-performer-designer, Alexander is never far from a new and exciting project and The New Plot is just the spark our playwriting community needs to continually create wonderful Australian work. Some recent acting credits include Luke Boyce, (The Marvellous Boy by Louis Nowra, dir. Andrew Lloyde & Jamie Irvine), Khlestakov (The Government Inspector by Nikolai Gogol, dir. George Ogilvie), Antigonus (The Winter's Tale by William Shakespeare, dir. Adam Cook), Don Jon (Much Ado About Nothing by William Shakespeare, dir. Adam Cook), both Austin and Lee (True West by Sam Shepard, dir. Gale Edwards), Hatcher (Sweet Bird of Youth by Tennessee Williams, dir. Gale Edwards), and Dodge (Buried Child by Sam Shepard, dir. Gale Edwards). Alexander is an ex-member and continuing supporter of the RFS. Alexander is a proud member of MEAA.
Cecilia is a 2014 graduate of Actors Centre Australia. Theatre credits while at ACA include Thelma Cates, `Night Mother (Adam Cook), Lyubov Andreyevna Ranevskaya, The Cherry Orchard (Anthony Skuse) and Helena, A Midsummer Night's Dream (George Ogilvie and Jennifer West). Most recent theatre credits include Dunyasha, The Cherry Orchard (Clemence Williams, New Theatre), Masha, The Seagull (Hurrah Hurrah Theatre co.), Deborah, Crazy Brave (Cross Pollinate Productions), Chantelle/Ashley, The Local (Insomniact Productions) and TV appearances in several commercials, Winter (Channel 7), Top of the Lake, series 2 (Sundance TV and BBC), as well as the role of Skye in Web Series Dave Plus One (Controlled Chaos Productions). Cecilia has been a proud Equity member since 2014.
Charlene was fourteen when she realised that acting was her passion. Her theatrical debut was at the Cronulla Arts Theatre in 2008 in the play Murder in Rehearsal. She moved to Ireland in 2009, which was where she got her first professional role. FML directed by Pol Heyvaert was part of the 2009 Cork Midsummer Festival and later went on to do a European tour. The show went to various festivals around Europe such as London's LIFT festival and toured periodically over 2 years. Apart from that she has run a youth theatre company, performed with the Cork Shakespearean Company and directed. She returned to Australia in 2012 after receiving a Diploma from LAMDA in Classical Acting. She successfully auditioned for ACA in 2013. Her drama school highlights include performing in The Government Inspector directed by George Ogilvie and Much Ado about Nothing directed by Adam Cook. Since graduating she has been continuing her studies in acting alongside auditioning and performing and has enjoyed being able to be apart of this project.
Margarita is an avid lover of the arts and the magic of story telling. She discovered her passion for performance and the arts from a very young age. Having a background in find arts as well as completing a design degree. Margarita loves to take her imagination for a ride of stage as well as.
Matthew is a 2015 graduate of Actor's Centre Australia. Theatre credits at ACA include Ivanov (Cristabel Sved), As You Like It (George Ogilvie), Hamlet (George Ogilvie), Fifth of July (Kevin Jackson) and The Normal Heart (Adam Cook). Matthew has since appeared in, and co-produced, Katherine Thomson's KAYAK directed by Adam Cook (Cross Pollinate Productions/Old Fitz Theatre), as well as various short films, music videos and web series.
Matthew has also produced Thirty-Three by Michael Booth (Cathode Ray Tube/Old Fitz Theatre) and assistant directed Babes in the Wood by Phil Rouse (Don't Look Away/Old Fitz Theatre).
Patricia's love for the arts started from a young age, having been in dance class since the age of three. After graduating from Newtown High School of the Performing Arts in 2012, Patricia undertook full-time dance tuition at Brent Street Studios, obtaining a Certificate IV in performance. Her passion for not only dance and music, but storytelling was then furthered by completing her Advanced Diploma of Performing Arts with Actors Centre Australia in 2016. Patricia's credits include; Three Sisters directed by Anthony Skuse, As You Like it with Adam Cook, Fool For Love directed by Gale Edwards and Buried Child also directed by Gale Edwards.
Patricia would like to thank The New Plot and 107 for giving her this opportunity to work with all creatives involved.
Originally from Perth, Patrick is a 2014 graduate of The Actors Centre Australia. At ACA Patrick was fortunate to play Julius Caesar in Julius Caesar directed by George Ogalvie OAM, Borkin in Checkov's Ivanov and Bernie in Sexual Perversity in Chicago directed by Adam Cook. Since graduating Patrick's theatre credits include Low Level Panic (Old Fitzroy Theatre), Journeys End (ATYP/Cross Pollinate), Bully Boy (Blood Moon Theatre) and Brittania Waives The Rules as part of Sydney Fringe. His film and TV credits include the 2011 feature Wasted on the Young, Winter (Channel 7) and Doctor Doctor (Channel 9) as well as commercials for a range of brands. Patrick is a proud equity member and is absolutely thrilled to be a part of The New Plot.
Samantha Ward is an actor and producer and graduated from Actors Centre Australia in 2014. Theatre credits include School for Scandal (The New Theatre), Asylum (Apocalypse Theatre Company), Crazy Brave (Cross Pollinate Productions), Julius Caesar (ACA), and Ivanov (ACA). Samantha recently worked on the short film Ladylike (Chekhov's Gun Pictures) which was shortlisted for Tropfest. Other TV credits include Deadly Women (2015) and Home & Away (2015-current). Samantha is co-founder of Cross Pollinate Productions and has produced Crazy Brave (2015 Sydney Fringe), Kayak (Old Fitz Late Show), The Block Universe (Or So It Goes) (Old 505 Theatre) which was nominated for Best Independent Production at the 2016 Sydney Theatre Awards, Journey's End (ATYP Cameo), and in June 2017 the Sydney premiere of The Village Bike (Old Fitz Main Stage).
How to Apply
HOW TO SUBMIT
Please post or email your application and supporting documents to The New Plot by the 31st December 2016. Please note there is no fee to apply.
When emailing your application please ensure to label the title with the name of the play and playwright's name.
Postal Address: PO BOX 105, Paddington, NSW 2021 (Att: Dario Phillips c/o 107 Projects)
Feel free to contact The New Plot if you have any questions about your application.
TERMS & CONDITIONS
- Applications should be submitted via email by 5pm on the published closing date. Mail applications must be postmarked on or before that closing date.
- Only one play may be submitted by each playwright in any submission round
- Late submissions or incomplete applications will not be considered.
- Submissions will be acknowledged by email upon receipt.
- A representative from The New Plot may contact you to request additional information in connection with your submission.
- We are unable to return either copy of your script to you under any circumstance.
- Shortlisted applications will be informed by a representative from The New Plot by the 31st January 2017 via email or phone.
- We are unable to respond to enquiries regarding your application during the assessment process.
- Successful applicants are required to acknowledge The New Plot's support in future presentations of the work.
- By submitting your work you will agree that you will engage in any media events, interviews or public relations statements that may be required in line with the promotion of The New Plot.
Calendar of Events
- Playwright submissions open
- 26th September 2016
- Playwright submissions close
- 31st December 2016
- Shortlisted playwrights notified
- 31st January 2017
- Rehearsals begin
- 6th March 2017
- Production Season
Week 1: 3 plays
Week 2: 3 plays
- 28th March - 9th April 2017
- Winner & People's choice award announced
- 11th April 2017
- 4 week Bundanon residency to develop play into a full length script
- 2nd - 30th June 2017
- Winner's full length show is staged during the 3 week season
- March 2018
Front of house volunteers
Would you like to learn more about front house managing and getting behind the scenes? The New Plot seasons start in 28th March - 11th April. Get in contact with email@example.com to see how you can help!
Donate – Become a Key Player
The Key Players are a collective of supporters, combining their impact to empower The New Plot to reach further; to bring bold new Australian stories to the stage.
Give $250 or more and become a Key Player.
We are looking for a local business sponsors to join this great collection of partners.
Sponsor opportunities include but are not limited too:
- Naming rights to The People's Choice Award
- Contributing professional fees to Audio Visual Designer/Operator
- Contributing to the professional fees for Directors
- In-kind support through products and services such as accommodation for interstate playwrights
If you love the sound of this innovative project and want to connect with community then contact us to discuss how we can collaborate firstname.lastname@example.org.